资讯源头:FIGU/ ‘Billy’ Eduard Albert Meier
资讯主题:同步素材 之 Billy Meier接触案例 – Photo Gallery

资讯链接:「Futureofmankind. James Moore」
素材版本:Photo Gallery@20181203


Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004.
由’Billy’ Eduard Albert Meier和其他一些被选择的目击者,从1964年05月17日至2004年02月05日(期间)拍摄。

With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation, why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.
藉此解释为什么BEAM(’Billy’ Eduard Albert Meier)是现时代的宣传者,与「Plejaren Federation/Plejaren联邦」接触的人,以及为什么他能拍到来自另一个世界的「Beamships/光船」的最佳照片,还有后者(「Plejaren Federation/Plejaren联邦」)为什么回来「Earth/地球」的原因。




Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos (including 29 large format colour photos), size: 230mm x 297mm.
银色压花亚麻封面,4色印刷,线装订,122页,95张照片(包括29张大尺寸彩色照片),尺寸:230mm x 297mm。



In contrast to other UFO groups, which deal exclusively with the phenomenon of UFOs, for us the spiritual (geistige) and consciousness (bewusstseinsmässige) background occupies a much higher priority than all ufological concerns taken together.[1]



Nevertheless, we cannot and don’t want to renounce the topic of ufology, especially since we have the world’s most extensive and best evidence that’s ever existed.

There is no UFO case on this Earth comparable to that of Billy Meier.
「Earth/地球」上没有其它任何UFO案例可以与Billy Meier的(接触案例)相提并论。

The extraterrestrial human beings that Billy Meier has been selected and prepared to communicate with and be educated by, have encouraged and assisted him to take over a thousand photographs and film recordings of their many different types of spaceships, beamships, high-technologies and personnel, as well as various other interesting and supporting things.
来自外星的人类生命形式选中Billy Meier,并与之接触并教导后者,鼓励并协助Billy拍摄了一千张照片和电影录音,以此记录了许多来自他们(注:Plejaren)世界的不同种类的太空飞船,光船,高科技以及接触使者,还有大量各种其它有趣和佐证的东西。

It’s a moderate, modest presentation considering what you’re looking at.

  • A crop from Billy Meiers photo used in promotion of the fantasy fiction television series X-Files, seasons 1-3.
  • 科幻小说电视连续剧《X-Files/X档案》(第1-3季)的推广海报中,就借用了Billy Meiers拍摄的光船照片…用于推广(这部剧)。
  • It’s proven a more popular image-crop amongst those that want to believe than amongst those that want not know for some reason.
  • 事实也证明,这版海报在那些想要相信(Billy案例)的人群中…远比那些因为某些原因而不想了解这些事(Billy案例)的人群中…更受欢迎。

Although often referred to as fake, and if fake surely nothing more worth knowing about it, Billy Meier’s photographs are used around the world in the press and on television as a means of illustrating reports of UFOs.
尽管(Billy的照片)经常被认为是伪造的,而且如果是假的就肯定不值得去了解,然而,Billy Meier的照片(却总是)在世界各地的媒体和电视中被用作讲述UFO(现象)的素材。

It’s significant that Meier’s copyright is regularly disregarded and in all these years he’s received only a few very small royalties and in about three cases.[2]


The more famous photos in the collection were taken in the 1970’s and early 1980’s.

One of which notably ended up being used for the original X-Files series 1-3 “I Want To Believe" TV poster in the 1990’s, which demonstrates how fiction is a stronger popular interest than non-fiction and how believing is more interesting than knowing, therefore regrettably that truth isn’t commercially viable and profitable.
其中一版照片,最终被特别用在了1990年代的《X-Files/X档案》系列(原版电视剧)的第1-3季“I Want To Believe/我想要相信”的电视海报上,这表明小说相较于非小说而言,更能引发公众的兴趣,且真相也远不及公众所认知的现实那般…更能提起大家的兴趣,由此,很遗憾的,真相在商业(领域)是不可行且无利可图的。

The lesser known non-famous images by BEAM and by those other photographers at higher resolutions, span a greater time-frame.
而那些由BEAM(’Billy’ Eduard Albert Meier)和其它目击者拍摄的高分辨率的非著名照片,反倒是经历了更长的时间跨度。

When the images from India are taken into consideration, from the 17th of May 1964 to the 5th of February 2004, and others even to the present day, when vessels from the wider Plejaren Federation are taken into consideration (however it all began much earlier in 1937).
从最初在印度拍摄的照片开始,时间从1964年05月17日一直到2004年02月05日;与此同时,考虑到那些来自泛「Plejaren Federation/Plejaren联邦」的飞船时,这个时间甚至可以截止到当前(尽管所有这一切早在1937年的时候就已经开始了)。

The collection includes other interesting things including; archaeological discoveries, drawings, event related happenings, natural and unnatural formations, experiments, geographical imagery, universal symbols and imagery related and in support of specific explanations in the Contact Reports.[citations needed]

Its all already heavily steeped in heritage despite first being documented properly in just the second half of the 20th century.

When we consider the tied-in events i.e. mission associated with ancient times,[citation needed] within at least what we from our perspective designate as ancient.[citation needed]

The collection isn’t particularly clear in terms of origination, context and/or descriptions with the images.

There are several dubious images which have been woven in, some supportive, others not so much.[citations needed]

Its generally accepted that the independent studying person will be on their own, to make up their own mind about which is which and what is what for themselves.

Billy was not the first nor last to photograph beamships but is the only in the world to have any quantity.[citation needed]

Ufology is as big as it is today after just a few decades, not exclusively because of him, but because of a Plejaren Federation and Andromedan High Council decision for limited but open disclosure in the 20th century.[citation needed]
正是得益于Billy的努力付出,以及「Plejaren Federation/Plejaren联邦」和「Andromedan High Council/仙女座最高议会」有关在二十世纪有限公开这些事实的决定,短短几十年之后,飞碟学研究领域已经获得了长足的发展。

We have been deemed mature enough for a small, lesser reveal, at this particular stage of our rapid history, because it’s always been as worldwide and openly-concealed as they’ve said it is,[citation needed] with at least 5 races in a large federation who have been known to quietly visit Earth for some time,[citation needed] and because their life expectancy is roughly 12x our life duration.[citation needed]

They’ve therefore been able to oversee those rapid succession of developments and because Earth is known to have an ancient ancestral extraterrestrial heredity,[citation needed] and we’re in the midst of another civilisation restart[citation needed] in the lofty scheme of time.

I suppose you could say it’s all been a big openly-concealed matter for a long time.[citation needed]

The gallery below contains selected images and represents a smaller quantity of the totality of all available imagery.

It’s become collectable and a hobby to read and study by many.[citation needed]

On the other hand Eduard’s claims have been widely characterised globally as fraudulent by carping scientists, sceptics,[3] and most ufologists (the UFO Community ideologically opposes the Meier Case); who say that his photographs, films, evidences etc., are tricks and story is too fantastic.[citation needed]

Some find this layering interesting in and of itself.[citation needed]

The website does include some of those more sceptical analyses, it covers everything, however the FutureofMankind is mostly focused on the interesting published works, and presenting everything in a neutral way.

Other websites are available if your looking for a morbid even macabre tone,[citation needed] you won’t find those kinds of tones and approaches here.

The website is somewhat aligned[citation needed] to the FIGU itself (FutureofMankind is not an official FIGU website), which takes a no proselytising,[citation needed] calm, neutral approach to the sceptical.

For most and normal readers it has all been presented by FIGU beautifully, and most don’t need or have not needed analysts to know.

Frankly those who have found themselves reading the entirety of the works, have discovered that position of FIGU, of not proselytising; refreshing, honourable and on some level revealing, intriguing and enjoyable to continue reading.

But no proselytising means you’ll have to decide for yourself what you think about it.

Besides, most are capable of finding out by themselves, that it’s possible to have a difference of opinion.[citation needed]

The witnesses speak and think differently about it all than the television documentaries and silence from the authorities has lead that majority to perceiving it to be.[citation needed]

The story behind the photos is after all big.

The hand-drawings of the Plejaren personnel (assigned to Earth and the tasks) at the more so forefront of the exchange, are by several sketch artists who have logically-embellished a more simple original drawing by the Plejaren themselves which Billy has then passed along.[citation needed]

The drawings may therefore differ slightly and as they’re drawings are never going to be perfectly accurate like a photo.

There is a slither of part of one of them with the hair and lazer showing.[citation needed]

The reason photos don’t show them has several reasons, among those reasons we are told is that by revealing their identity they would no longer be able to walk among us without being identified,[citation needed] and presumably facial recognition technologies may have even allowed authorities to track them,[citation needed] but the most important reason is ‘the might of thoughts and feelings’; being as numb as we are and them being as sensitive as they are; or else they wouldn’t be able to use telepathy;[citation needed] plastering their images all over the internet may have caused them various problems, being disturbed by all sorts of ignorant signals etc.[citation needed]

If your looking for how a Plejaren looks, look at yourself, in a mirror, or at an average European, African or Asian.

That is another aspect covered in the Contact Reports, with the exception of the wider Plejaren Federation, where then there are several types of human that may look different even strange to us.
这涉及接触报告所提及的另一个方面,除了广泛的「Plejaren Federation/Plejaren联邦」外,宇宙中还有几种人类生命形式长得与我们有所不同,甚至在我们看来是很奇怪的样子。

It’s part of why it’s been an open-secret with open-evidence until the 20th century, because they’re waiting for us to realise what we are as independently as possible.

Some of the images are of, near, or taken at the ‘Semjase Silver Star Centre’, SSSC.
有些照片是在「Semjase Silver Star Centre/Semjase银星中心」(即:「SSSC」)范围内,或是周边拍摄的。

They’re usually identifiable by the buildings, features and tree varieties etc.

Symbols of the Spiritual Teaching (Symbole der Geisteslehre), Books#Symbole_der_Geisteslehre.
精神教导的标识(“Symbole der Geisteslehre/精神教导标识”),精神教导的书籍/标识。

Nearer the bottom of the collection we’ve included a few of the symbols of the spiritual teaching from the book ‘Symbole der Geisteslehre’.
在该照片辑的末尾,我们加入了一些在“Symbole der Geisteslehre/精神教导标识”一书中所展示的精神教导标识。

The book contains 601 out of the total of 52,476,812 (52 and a half million) spirit symbols, which Billy has retrieved from the Storage Banks, which required a lot of effort for him.[citation needed]
这本书(“Symbole der Geisteslehre/精神教导标识”)包含有52,476,812(5250万)个精神符号中的601个,Billy付出很大努力才从「Storage Banks/存储(记忆)库」中提取出这些标识。

The more complex symbols might have been too difficult to convey.[citation needed]

They are used in Spirit-Telepathy (not regular Telepathy / primary-telepathy), a fact which is explained in ‘Geisteslehre No. 17’, p.179.
它们被运用在「Spirit-Telepathy/灵性感应」(不是「Regular Telepathy/常规心灵感应」/「Primary-Telepathy/初级心灵感应」),有关于此的事实,在"Geisteslehre/精神教导",第17章,第179页中有所解释。

In the introduction section of the book ‘Symbole der Geisteslehre’, p. XVI, Bernadette Brand describes the value of the symbols as a self-education tool.
在“Symbole der Geisteslehre/精神教导标识”一书的介绍章节,第十六段,Bernadette Brand描述了这些标识作为自我学习工具的价值。

“…..The symbols of the Spirit Teaching embody not only the concepts they represent, but they contain any of a whole universe of meanings. They generate in the person who deals with them, a new bond / attachment to the symbol and the idea for which it stands for. Occupying oneself meditatively on the symbols of the spiritual teaching in detail, from my own experience, causes an extremely valuable and helpful, self-knowledge, self-education and character development and personality development. The symbols accommodate not only nice and edifying or foreboding and awful ‘images’, but in themselves are very involved, and to deal with them radically and unreservedly, is informative and valuable….."

“…..With the feelings and stirrings they evoke in us when we inspect, perceive and deal with them, can be bit by bit a help to us on our stony and laborious path of evolution. Our reactions to the symbols are not neutral, but in fact shaped by our thinking and our personality."

The ability to use Spirit-Telepathy is only available to those who have reached level 4[citation needed] and mastery of primary-telepathy may be a requirement which precedes this.

Billy mentioned[citation needed] that only a small percentage of individuals in the Plejaren Federation have developed the ability to use primary-telepathy,[citation needed] and that as far as Earth humans are concerned, our life expectancy is just a little too shy of the amount of time necessary to learn it.[citation needed]
Billy有提到在「Plejaren Federation/Plejaren联邦」中,只有一小部分人类进化到了有能力使用「Primary-Telepathy/初级心灵感应」的程度;但就「Terran/地球人」而言,我们的生命预期实在太短,根本达不到学习所必须经历的时间跨度。

Ptaah explained that one of their investigations[citation needed] indicated that Earth, on the whole knows some very basic, baby-shoes, consciousness-related-telepathy, but is some way off primary- and volitional telepathy.[citation needed]
Ptaah曾解释说,他们之前的一项调查表明,总的来说「Earth/地球」上只有一些达到非常基础、原始,与意识相关的感应水平的人类,但这与「Primary and Volitional Telepathy/初级和意念心灵感应」仍相去甚远。

The symbols represent a materialist / coarse material representation i.e. solid image in the visible light spectrum of the electromagnetic spectrum, of what is essentially and inherently pure-material and fine-material indigenously.[citation needed]

Which is probably an important fact to know.

So what is the Billy Meier story about?
那么,Billy Meier的故事究竟是些什么呢?

Well opinions vary and you can make your own mind up about it by starting at the Contact Reports page.

Some, asked to describe the story in one word as a good review, have called it a story of dependence.
有些人要求用一个正面评价的词汇来描述整件事,并将其称为"a story of dependence/一个‘取决’的故事"。

“a story of dependence/一个‘取决’的故事":

Evolution by definition is dependant on the starting position.

It’s about the Plejaren being at the very top of the ladder of technological dependence.

About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder; like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to the relationship between developing-world-aid contributions from the developed nations and mass migration.

Dependence on their legal system to do any of what they’ve been granted to do.

Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up.

Dependence on sensitivity and soundness of mind.

The Prophets dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it.

Dependence on religion.

Dependence on the internet being developed at the time it was.

The mission dependant upon voluntary contribution.

Dependence on there being enough wealth generally; wealthy dependent on poor, poor on wealthy.

Dependence on health.

Dependence on the knowledge of the time.

Dependence on the group members stepping up to the task.

Dependence on the natural-laws, creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material.

Dependence on us sharing a very ancient ancestry with them.

Switzerlands dependence on foreigners.

Dependence on our genetics limiting time through life-expectancy allowing the schedule to be manageable by them, and since ancient times.

Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization.

Dependency on the codex.

Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing, and the right one.

We’re dependent on each other, and they’re dependent on each other, separate humanities.

It’s a story about many dependencies, depending on the readers perspective and the quantity of times they’ve read the archive.

Q: What does this story matter?

A: Well assuming you’ve now read the story in the Contact Reports, which takes some years to get ones head around on it’s own, and your now on that secondary level of what does it matter. Then your probably ready to tuck into the real good advice which is all about making life better and being more successful at whatever you decide to do. It takes going through the story (of Earth and of life) in a similar way that it takes a child to go through school, for individuals to identify it and for it to stand out to them and be clear.



FIGU Strahlschiffe (UFO) Photo Gallery (German) (External)

FIGU Filmaufnahmen (UFO) Video Gallery (German) (External)

Filmed in Switzerland by ‘Billy’ Eduard A. Meier with a Super8 camera, with the exception of the “Bachtel" footage, which was filmed with video camera.
除了使用视频摄录机拍摄的“Bachtel/巴赫特尔山”的镜头以外,所有的照片都是’Billy’ Eduard A. Meier使用一台8mm(胶片)相机在瑞士拍摄的。

The full video sequences were incorporated into the films “Contact from the Pleiades", “Beamship: The Meier Chronicles" and “Beamship: The Movie Footage" and can be watched on youtube and other video sharing platforms.
完整的视频排序被归入了影片“Contact from the Pleiades/来自Plejaren的接触”,“Beamship: The Meier Chronicles/光船:Meier编年史”和“Beamship: The Movie Footage/光船:电影镜头”之中,并可以在Youtube和其它视频分享平台上观看。

Photo’s FAQ

Q: Who took the photos?

A: Most were taken by Billy Eduard Albert Meier, however a fair few were taken by other photographers, see description, reference, source, attached links etc., for all similar questions e.g. who is in the photo, location, investigation, publication etc.
答:绝大多数都是由Billy Eduard Albert Meier拍摄的,但也有一小部分是由其他摄影师拍摄的,详见说明、参考、来源,附加链接等,以解决所有与之相类似的问题,诸如:谁在照片里,拍摄地点,背景调查,出版等。

Q: What year were the photo’s taken?

A: It varies by image, between the 1960’s and 2000’s, most of the famous photos were taken in the 1970’s, for more info, it’s a similar answer as above, most photos have a lengthy documented story attached to them, research it some more.

Q: Why are there tree’s and objects in the foreground?

A: Billy was instructed to stand behind things to give the future investigators something to assess distances,[citation needed] with varying success.

Q: How many photos were taken?

A: Over 1500, however many were stolen, sabotaged at the local dark room where he had them developed or replaced to make him look a fool which he had to then withhold,[citation needed] but we have a sufficient quantity. Regarding the photo’s by other photographers and images of symbols and drawings etc, there is many more of those and we don’t host them all.

Q: When was the computer software photoshop invented?

A: Those types of photo editing technologies were developed some time in the mid to late 1980’s. If the question is related to the authenticity of the photo, see the decades of all sorts of different investigations that have taken place in the various links in the sidebar on the left of the website and the external links page has many additional websites on top of that which have investigated various aspects of it all. This is a good investigation: Analysis by Rhal Zahi second edition (PDF)
答:此类照片编辑技术是在1980年代的中后期时间里研发出来的。如果你的问题指向照片的真实性,请参阅网站左边栏的各种链接,它们包含了发生在数十年间的各种不同调查,还有在这些链接上方的涉及许多其它网站的外部链接,它们包含了各种针对Billy案例各个方面/环节的调查。(其中)有一个很不错的调查:“Analysis by Rhal Zahi/Rhal Zahi的分析”第二版(PDF)。

Q: How did Billy take these with one and half arms?

A: It’s more difficult but still possible.

Q: How big are these UFOs?

A: Most have about a 7 metre diameter at their widest, some are half that 3.5 and some are much larger than that, you will have to read the connected links and the Contact Reports is where the details of the photos are explained by Billy and Plejaren.

Q: Why am I attracted to and seduced by the trash-can water-butt lid?

A: It’s a lighter cognitive load and is gratifying.

Q: Why is it only Billy who has such a large collection of UFOs?

A: That is a long explanation, Why Billy Meier? begins to answer it.
答:这需要解释很多,但你可以先从“Why Billy Meier?/为什么是Billy Meier?”那里寻找答案。

Q: I never knew about these UFO’s, I thought there were no UFO’s

A: There has been decades of suppression for lots of reasons, they don’t like what Billy Meier has said about them, he’s embarrassed many groups who probably slowed your way here. Now you found the photos, read the information.

Q: What are the spirit symbols?

A: There is a description in the above sections extended reading area.

Q: Why have there been scientific investigations?

A: Because some folks want the truth, some don’t allow anything to stand in their way and the extraterrestrials are demonstrating how clever they are while simultaneously how they know the Earth humans are not critical, objective, nor sharp and are fettered in their beliefs etc.

Q: I have taken my own UFO photograph and would like to share it?

A: Future of Mankind only hosts images which Billy Meier himself has seen, asked Plejaren about circumstances, had approved, commented on, included in a publication, the website hosts many such examples if you check. It is because we are honestly and sincerely not interested in the fraud of the ufology community.
答:Future of Mankind(网站)仅为那些Billy Meier亲眼见过…并向Plejaren询问具体状况…进而获得确认/授权的图像…提供展示平台,开放评论并将其包含在某篇出版物(文案)中,如果你有查询,你会发现我们的网站中其实包含许多这样的例子。这是因为我们对飞碟学研究始终秉持诚实和真诚的态度,但对那些欺诈性的行为没有一丝兴趣。

Q: How does Billy Meier type on a keyboard like a champion?
问:Billy Meier是如何像一个冠军那样在键盘上打字的呢?

A: He has written many Books. The typing speed doesn’t necessarily amount to computer literacy, the photos were taken before the personal computer was available, or interest in computer communication, he doesn’t email.

Q: Why doesn’t Billy Meier feature in UFO documentaries?
问:为什么Billy Meier没有在「UFO/不明飞行物」纪录片中显露真容呢?

A: It’s too much reality than they’re prepared to take on, a commercial risk, because it’s connected to 6000 pages.

Q: Why are these photos not on television?

A: They have been on television at times, usually with no associated to FIGU and Billy Meier, and the copyright ignored, which has meant the audience hasn’t known where to find the information connected to it.
答:它们不时地出现在电视上,但通常都与FIGU和Billy Meier无关,版权被彻底无视,以至于观众们甚至都不知道该从哪里找寻这些照片的出处。

We can’t endorse the big UFO fraud documentaries because for every hoax Meier film made, we civilians are harmed indirectly.

Billy has published military grade classified information inside, check, and subsequently for every hoax documentary produced, governments around the world realise they can get away with more, because it demonstrates our collective lack of objectivity.

We think it’s a shame a bigger television organisation has as yet been unable to pick it up impartially, and reason with it successfully, because there is information and unknown facts inside which would be beneficial, highly valueful and useful to many persons in their lives.

But we concede the intellectual challenge has always been way too far reaching for the team at an entertainments organisation to take on.

It is a presentation challenge for a film maker like no other.

We can however tell you after all these years of researching it all, that gradually over the decades it has piece by piece been ripped off (except telepathy). So the general public will eventually gain access to all those facts whether it takes longer (too long), only partially formed, or the author is credited or not, either way.

This is also probably why the Books are satisfying to read because it’s then the full story.

Q: What is their position on intellectual property and its principles?

A: The photos are under copyright. The FIGU owns most of the images and is in a country which abides by intellectual property principles. If you are also in a country which acknowledges such concepts, rights and principles, then the correct thing to do (as you well know) is to send a copyright royalty to them if the photo is used in a commercial situation. That is the right way because it acknowledges the ownership, value of the work and person, their efforts, and is dignified, honourable, respectful of others, as well as many other good principled things which have allowed our nations to proceed in the format of a healthy independent negotiation. We could gather together several dozen examples of the photos being shown on television all over the world. He has only ever received very small royalties and in only three cases.
答:这些照片都有版权归属。FIGU拥有大部分的照片,并处于一个恪守知识产权原则的国家之中。如果你也在一个承认这种概念、权利和原则的国家之中的话,那正确的做法(正如你已知悉的那样)是,如果照片被运用于商业场景,那就应该给他们支付一笔版权版税。这才是正确的做法,因为它承认了工作和人事的所有权、价值,以及他们的付出;还因为它是厚道的、诚实的、尊重他人的,以及许多其他有原则的好事情,这些事情允许我们的国家以一种健康的独立谈判的形式继续前进。我们可以在全球范围内搜集到…这些照片在电视上被展示的…数十个例证。他(Billy Meier)只收到过很少的版税,而且只有三次。

Q: Why have you put the rubbishy discrediting photos at the front of the collection and the high resolution images are buried in some obscure page somewhere?

A: They are all presented either here or somewhere nearby. The Future Of Mankind website is for individuals who are engaging a long term, interested study. With the photos, it will take some years for the Consciousness and Ratio to adjust, to be able to look clearly at what you’re looking at. Therefore the order and sequencing of the photos isn’t important here. But if you’re creating a presentation for the ephemeral, shallow interested, for persons with transitory concentration, then you may wish to select one of the more pertinent attention captivating photos for it. There has in the past been rhetoric used and they’ve been known to be beat around the bush (occasionally literally where the President Bush family were described long before), but on the whole the point is that it has not been an endeavour to try to convince the reader and audience, because that is the wrong way. The right way is that you research it all and make your own mind up.
答:所有的照片都放在这里展示。Future Of Mankind网站是为致力于长期从事(案例)兴趣研究的人士服务的。针对这些照片, 意识和理智往往需要几年的时间才能适应调,从而有能力看清楚你正在看的东西(究竟)是什么。因此,在这里展示的照片的顺序和时序并不重要。但如果你是为那些短暂、浅薄的兴趣者,为那些临时兴起的人士创建一份演示文稿的话,那你可能会希望为这个演示文稿选择一张更合适的引人入胜的照片。在过去,曾有人使用花言巧语,但人们都知道这些花言巧语是围绕Bush来的(这些言语在很久以前曾偶尔出现在对Bush总统家族的描述上),但整件事的重点在于:这并不是一种试图说服读者和观众的努力,因为这么做是错误的。正确的途径是,你对这一切进行研究,并做出自己的决定。

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