资讯来源：FIGU/ ‘Billy’ Eduard Albert Meier资讯参考：
资讯主题：Researcher／研究人员 – Wendelle Stevens
> ｢Light Years. Gary Kinder｣（PDF文件）
资讯链接：｢Futureofmankind. James Moore｣
Wendelle Stevens is an investigator and researcher.
The first and probably the most thorough investigation into the Billy Meier case was carried out by Wendell Stevens and his team including Tom Welch, Lee Elders and Brit Elders in the late 1970’s and early 1980’s.
迄今为止…对Billy Meier案例的第一次，也可能是最透彻的一次调查，就是由Wendell Stevens及其团队（包括Tom Welch，Lee Elders和Brit Elders）在二十世纪七十年代末和八十年代初进行的。-
Eventually he amassed the largest private collection of UFO photographs in the world.
Born and raised in 1923 in Round Prairie, Minnesota, United States of America, Wendelle Stevens enlisted in the Army shortly after high school.
1923年，「Wendelle Stevens」出生于美利坚合众国-明尼苏达州-Round Prairie，并在那里长大，他在高中毕业后不久就应征入伍。
He graduated from the Lockheed Aircraft Maintenance & Repair School, Aviation Cadet Training and Fighter Pilot Advanced Training as a very young 2nd Lieutenant in the US Army Air Corps.
在完成「Aviation Cadet Training/航空军校学员训练」和「Fighter Pilot Advanced Training/战斗机飞行员高级训练」后，他从「Lockheed Aircraft Maintenance & Repair School/洛克希德飞机维修学校」毕业，并成为一名在美国陆军航空兵服役的年轻少尉。
After that he attended the first Air Corps Flight Test Pilot School at Kelly Field, where he learned to fly all the aircraft of the Air Corps at the time, as well as a few US Navy aircraft.
在那之后，他参加了在Kelly Field开办的第一届「Air Corps Flight Test Pilot School/空军试飞员学校（培训）」，并在那里学会了驾驶当时空军的所有机型，以及一些美国海军的机型。
During his long career in the military, one of his assignments was the supervision of a highly classified team of technical specialists who were installing hi-tech data collecting equipment aboard the SAC B-29s of the Ptarmigon Project – a research project which was photographing and mapping every inch of the Arctic land and sea area.
在漫长的军旅生涯中，「Wendelle Stevens」曾是「Wright Air Development Center/赖特航空发展中心」的一名少校，该中心位于位于俄亥俄州-Dayton，当时他的任务之一，是监督一支高度机密的技术专家团队，后者正在给某些型号的飞机安装高科技数据采集设备，那些飞机包括隶属于战略空军司令部（SAC）「Ptarmigon Project/雷鸟工程」的B-29，该工程旨在详尽拍摄并绘制北极地区陆域和海域的地况/海况信息。
This equipment was designed to capture, record & analyze all EMF emissions in the Arctic, photograph all anomalous phenomena, and record all disturbances in the electrical and engine systems of the aircraft – looking for external influences caused by UFOs.
The data was then couriered nightly to Washington.
He retired from the USAF in 1963 and worked for Hamilton Aircraft until 1972.
1963年，「Wendelle Stevens」从美国空军退役，并入职「Hamilton Aircraft/汉密尔顿飞机公司」，一直到1972年。
Unable to possess any of this information for himself, Stevens began his own research and collection effort, eventually amassing the largest private collection of UFO photographs in the world.
He began to publish reports on the events, and wrote many illustrated articles for many UFO publications.
Disenchanted with the dearth of detail on contact events reported in books and journals of the time, he began preparing detailed reports of his own, self-funded, investigations.
His most famous one was the Billy Meier case.
He has published more than 22 books.
Wendelle Stevens was actively involved in ufology for 54 years, first as Director of Investigations for the Aerial Phenomena Research Organization (APRO) in Tucson, Arizona, where he retired.
「Wendelle Stevens」积极参与飞碟学研究长达54年，最初是在位于亚利桑那州-Tucson的「Aerial Phenomena Research Organization/空中现象研究组织」（APRO）担任调查主任时，后来他从那里退休。
Wendelle was a founder of the International UFO Congress and was a director since its inception.
不仅如此，「Wendelle Stevens」还是「International UFO Congress/国际UFO议会」的创始人（之一），并自该议会成立以来一直担任其董事。
In December 1997 he received an award for lifetime achievement at the First World UFO Forum in Brazilia, capital of Brazil.
在1997年12月，在举办于巴西首都Brazilia的「First World UFO Forum/第一届世界不明飞行物论坛」上，「Wendelle Stevens」获得了终身成就奖。
Towards the end of his life, he transferred his extensive photo collection, library and archives to Open Minds Productions.
在他的生命行将结束之时，他将自己规模宏大的照片辑，资料库和档案库移交给了「Open Minds Productions」。
UFO research pioneer, Wendelle Stevens passed away on September 7, 2010 at 4:44 pm in Tucson, Arizona from respiratory failure.
Video: Wendelle Stevens Opinion on The Meier Case
Wendelle was convinced that The Meier Case is authentic.
「Wendelle Stevens」确信Billy Meier案例是真实的。
Unable to possess any of this information for himself, Stevens began his own research and collection effort, eventually amassing the largest private collection of UFO photographs in the world.
He began to publish reports on the events and wrote many illustrated articles for many UFO publications.
Upon finding out about the Billy Meier UFO case he visited Billy at his home in Switzerland several times before deciding he had seen and heard enough credible and convincing evidence and events to warrant a full scientific investigation.
在得知Billy Meier的「UFO/不明飞行物」案例之后，「Wendelle Stevens」在确信已经看到和听到的证据和事件（描述）足够可信且令人信服，能够支撑一次全方位的科学调查之前，曾多次前往Billy在瑞士的家中拜访后者。-
The film “Contact”
and the books “UFO contact from the Pleiades: A preliminary investigation report”
以及“「UFO contact from the Pleiades: A preliminary investigation report/来自Plejaren的UFO接触：初级调查报告」”
and “UFO contact from the Pleiades: A supplementary investigation report”
以及“「UFO contact from the Pleiades: A supplementary investigation report/来自Plejaren的UFO接触：补充调查报告」”
conclude his team’s findings.
Contact Report Translations
In 1979 Wendelle Stevens acquired 1,800 pages from Eduard in the form of 18 volumes of 100 pages each, the entire first edition German contact notes, Semjase Kontakt Berichte 1st Edition, which he then produced Contact_Statistics#Translated_Books|Message from the Pleiades]] with.
1979年，「Wendelle Stevens」从Billy Meier那里获得了1,800页报告文本，共计18卷，每卷100页，也就是第一版德文源版的接触报告全本，即「Semjase Kontakt Berichte/Semjase接触报告」第一版，然后「Wendelle Stevens」基于这些德文源版报告制作了英译版的「Message from the Pleiades/来自Plejaren的信息」。
The main source for listings in Contacts 3-9, 11-106 & 115 is Wendelle Stevens’ 4-volume “Message From The Pleiades: the Contact Reports of Eduard Billy Meier", an incomplete (sections critical of religion & politics have often been excluded; see MFTP4 pg.49), edited and often incorrect English-language translation of the original German-language Contact Reports [the CD-ROM reissues of MFTP1 & MFTP2 are unexpurgated but do not contain all the Stevens annotation material; also the photos are cropped differently with the edges containing more photo material than the print version].
（英译版）接触报告003#~009#，011#~106#以及115#主要资讯来源，是「Wendelle Stevens」的四卷"「Message From The Pleiades: the Contact Reports of Eduard Billy Meier/来自Plejaren的信息：Eduard Billy Meier的接触报告」"，是不完整（对宗教和政治的批判性内容经常被删减；见MFTP4第49页）…被改动且存在诸多德英译制错误的文本 [再版的MFTP1和MFTP2的CD-ROM版为未删减版，但却不包含「Wendelle Stevens」注释的所有材料；与此同时，该CD-ROM版中的照片剪裁也有所不同，边缘与印刷版包含了更多的内容]。
Information given for Contacts 107-114 & 116-present is based on rough machine-translated excerpts of German-language excerpts often found in the FIGU Bulletins, and from skimming the German-language Contact Reports for names, places, and other nouns [readily identifiable to the compiler]; these are not meant to reflect the full contents of any given Contact Report.
Full informational reliability on any given topic, quotation or event can only be had from a careful reading of the German-language Contact Reports, “Plejadisch-plejarische Kontaktberichte" & “Semjase-Bericht", available from FIGU (Freie Interessengemeinschaft fur Grenz- und Geisteswissenschaften und Ufologiestudien [The Free Community of Interests in Fringe and Spiritual Sciences and Ufological Studies]):
- ——德文源述：「Freie Interessengemeinschaft fur Grenz- und Geisteswissenschaften und Ufologiestudien」
- ——英译文案：「The Free Community of Interests in Fringe and Spiritual Sciences and Ufological Studies」
…的德文源版接触报告“「Plejadisch-plejarische Kontaktberichte/Plejaren的接触报告」” & “「Semjase-Bericht/Semjase的报告」”才行。
The origin of the English-language translation in Stevens’ books (published 1988-1995) is as follows, to the best of my reasoning with the information provided.
- 英译本 – 第一版
The original English-language translation of the Contact Reports was done “by a young German college student who spent a great deal of time at the Meier home, living with them and observing the various witnesses in their daily lives, and seeking very careful explanations. His translations were then checked and approved, as he proceeded, by both the others at the home and by Eduard Meier himself." (MFTP preface).
英译版的「Contact Report/接触报告」…“出自一位年轻的德国大学生之手，他花了很长时间呆Billy家里，和他们生活在一起，观察出现在他们日常生活中的各类证人，并寻求非常详尽的解释。他的译文随后被家里的其他人和Billy Meier本人查对，进而被给予认可。”（引述自：MFTP前言）
- 英译本 – 第二、三版
Stevens purchased an edited variation (MFTP2 pg.151) of this translation in 1979 as a “standard approved 1,800 pages in 100-page booklets" (MFTP4 pg.403), which had been “copied by Amata Stetter, who partly changed the meaning unauthorized and also copied wrong" (Meier, MFTP4 pg.404).
「Wendelle Stevens」在1979年购买了该（英文源版）报告译文的一个编辑版本（引述自：MFTP2，第151页），并将其作为“分布在100本小册子中的1,800页标准批准版”（引述自：MFTP4，第403页）；“该编辑版本同样也被Amata Stetter拷贝了，后者部分改动了一些未经授权的内容，同样复制了错误的文本”（引述自：MFTP4，第404页，Billy阐述）。
The errors in the previously approved copies were discovered by FIGU circa 1992, “accordingly we had to correct and to print everything again" (Meier, MFTP4 pg.404).
FIGU方面于1992年前后发现了先前批准的（英译版 – 第一版）副本中存在的错误，“因此，我们必须纠正并重新打印所有的内容”（引述自：MFTP4，第404页，Billy阐述）。
Take into consideration that there are not only omissions in the Stevens books, but also, more crucially, interpretation, translation and various clerical errors throughout (sentence numbering, spelling, numerical, etc.).
- 英译本 – 第四版
Research Professor Emeritus James Deardorff (Oregon State University) donated a copy of the 1,800 pages of unapproved (by Stevens) English translations (author unidentified) provided to Stevens by one of the early translators to Billy Meier UFO Research source.
（「Oregon State University/俄勒冈州立大学」）名誉研究教授James Deardorff向「Wendelle Stevens」捐赠了一份包含1800页未经（「Wendelle Stevens」本人）批准的英译版副本（作者身份不明），该副本是由早期参与翻译Billy Meier「UFO/不明飞行物」资讯的译者之一提供给「Wendelle Stevens」的。
Which they have refered to as ‘UET-WS’ (Unapproved English Translations of Wendelle Stevens).
Presumably these 4 versions of English translations were made during the period from 1979 to the early 1980s.
Deardorff told them that he got these translations somewhere around 1985-1986 from a person named Roberta Brooks who at that time worked at the ‘American Office of FIGU’ situated in Alamogordo, New Mexico, USA.
James Deardorff告诉他们，他是在1985年至1986年期间，从一位名叫Roberta Brooks的人那里得到这些译文（英译版 – 第四版）的，后者当时正在美国-新墨西哥州-Alamogordo的「American Office of FIGU/美国FIGU办公室」工作。
Wendelle has published two editions of the translations of the 1,800 pages.
The first edition contained 4 volumes published between 1988 and 1995 and the second edition which contained 2 volumes was published in e-book format only in 2004 & 2005.
The second edition contains information that has been expurgated and censored in the first edition because it was considered to be libellous under US law.
Unfortunately many small mistakes occurred in the original translations which have since been documented in notes included in various Contact Reports.
However since then, translators have come along to offer better translations and mostly these little mostly minor mistakes have since been corrected.
Light Years by Gary Kinder
Gary Kinder所著"「Light Years/幽浮光年」"：
A description of Wendelle Stevens found in a book called Light Years written by Gary Kinder which is about Billy Meier.
在Gary Kinder所著"「Light Years/幽浮光年」"（关于Billy Meier的）一书中找到的…描写「Wendelle Stevens」的内容：
Lou Zinsstag and Wendelle Stevens had never met, though they frequently had exchanged photographs and information on UFO cases.
Lou Zinsstag和「Wendelle Stevens」（之前）从未见过面，尽管他们经常交换涉及「UFO/不明飞行物」案件的照片和信息。
During his thirty years of collecting and investigating, Stevens had acquired a reputation for having a knowledgeable eye when it came to analyzing photographs.
Zinsstag knew of that reputation, and in the summer of 1976, she had written to Stevens, telling him briefly about the Meier case and mentioning the photographs taken by this one-armed, unemployed security guard.
Lou Zinsstag知道这个名号，并在1976年的夏天写信给「Wendelle Stevens」，告诉他有关Meier案例的大致情形，以及提及了这位“独臂的失业看守”拍摄的照片。
Prior to her letter, Stevens had heard nothing of the Meier case, but he knew Zinsstag by reputation as well as through correspondence, and he doubted her fascination with the case was unfounded.
在收到Lou Zinsstag的信之前，「Wendelle Stevens」从未听说过Meier的案例，但他了解Lou Zinsstag并透过回信，质疑Lou Zinsstag对该案例的关注缺乏根据。
Though she was vague about their content, Zinsstag had twelve photographs she wanted Stevens to see; and instead of sending them by mail as she had often done in the past, she wanted to bring them herself from Switzerland to Stevens’ home in Tucson.
虽然Lou Zinsstag（当时）对这些照片的认知还很模糊，但她还是想让「Wendelle Stevens」看看她手中的这21张照片；而且，不同于以往总是以邮寄的方式发出，Lou Zinsstag这次打算亲自带上这些照片从瑞士出发…前往「Wendelle Stevens」在Tucson的家中当面给他看。
In early September 1976, Zinsstag flew to the United States, accompanied by Timothy Good, to meet with some of the more prominent figures in American UFOlogy, and to conduct research on George Adamski.
在1976年9月初，Lou Zinsstag在Timothy Good的陪同下飞往美国，会见了美国「UFO/不明飞行物」研究领域的一些杰出人士，并开展了对George Adamski的研究。
On the prearranged day, she called Stevens from the Greyhound bus station in Tucson, and Stevens picked them up, got them checked into a motel, then drove them out to his house.
They first wanted to see Stevens’ UFO library, which took up an entire wall of the living room, and another wall in his small study.
In addition to the 700 volumes on UFOs collected from all over the world, thirty blue binders containing Stevens’ collection of nearly 3,000 UFO photographs stood side by side in three tight rows.
Briefly, they discussed various cases, but Zinsstag cut short the small talk when she pulled a folder from her satchel.
As Timothy Good remembered, “Lou brought a sort of ‘dossier’ on Meier."
Inside the folder lay a large envelope, which she opened carefully, then slid out a small stack of 5 X 7 photos.
As she began laying out each photograph neatly on Stevens’ dining room table, Stevens took one look and whispered, “I have nothing in my collection that even comes near the quality of these prints."
她将这些照片在「Wendelle Stevens」的餐桌上铺开，「Wendelle Stevens」看了一下并自语道：“我的收藏中没有任何东西能够接近这些照片的品质。”
When Stevens examined a UFO photograph, he looked first for relative focus, then for distance graying.
“Distance attenuation is what I call it," he explained.
“The further away an object is, the more moisture, smoke, and dust there will be in the atmosphere between it and the lens. Then, I would look for evidence of rephotographing. If it’s got a fingerprint or specks on it, I turn it at an angle in the light. If what I’m looking at is not on the surface, then it’s printed in the photograph, and that means that something preceded this picture. Also, the distance light travels has some relationship to the color that arrives at the lens. The closer the object is, the more red it appears; the further it is, the more blue. Another thing to look at is light scatter because the curved surface on a larger object scatters light differently than the sharply curved surface on a nearer object. A model can be perfectly realistic, but it will cast light differently."
Stevens examined each print carefully, holding it up to the light and tilting it.
In thirty years of collecting and analysing photographs of UFOs, Meier’s photos were the most spectacular he had ever seen.
Rarely was a UFO photograph more than a single accidental shot taken with poor equipment by an amateur who had no time to make adjustments for proper lighting, speed, and focus.
Extremely rare was the photo taken in daylight, or with the UFO below the horizon, or with multiple craft in the same picture.
And no one had ever taken a continuing series of photographs of the same craft.
In the Meier photos, shiny silver disks, glinting from the sun, hovered in a blue sky above nearby hills and trees.
A distinct red band encircled the upper convex rise on many of the sleekly contoured disks.
Others were adorned with equally spaced knobs around the perimeter and a rococo dome on top.
In all, Meier had photographs of six variations of spacecraft, each taken in daylight, some below the horizon, and some with two, three, even four spacecraft in the same picture.
And each of the photos was the sharpest and clearest Stevens had ever seen.
Timothy Good later remembered Stevens’ reaction.
Timothy Good后来回忆起「Wendelle Stevens」（当时）的反应。
“He became absolutely in the seventh heaven when Lou showed him the photographs. He was thrilled. Absolutely. Words to the effect, ‘best pictures I’ve seen.'"
When Zinsstag and Good had called from the bus station late that morning, Stevens had been entertaining friends down from Phoenix, Lee and Brit Elders.
当Lou Zinsstag和Timothy Good在那天早间的晚些时候…从公交车站打来电话时，「Wendelle Stevens」正在招待来自Phoenix的朋友，Lee Elders和Brit Elders。
Lee Elders had been a close friend of Stevens for five years and was aware of Stevens’ reputation as a UFO investigator.
五年来，Lee Elders一直都是「Wendelle Stevens」的亲密朋友，也很了解「Wendelle Stevens」在「UFO/不明飞行物」研究领域的声誉。
He and Brit were mildly interested themselves, having been educated in the phenomenon by Stevens.
他和Brit Elders对「Wendelle Stevens」展示的东西很有兴趣。
No one could go to Stevens’ house and see the fat three-ring binders filled with pictures of flying saucers and not have his curiosity piqued.
That afternoon, though, the Meier photos that Lou Zinsstag spread across the dining table amazed the Elders as much as Stevens.
然而，那天下午，当Lou Zinsstag将Meier的照片在餐桌上铺开时，Elders夫妇表现出了和「Wendelle Stevens」一样的吃惊。
“Photographs of UFOs," said Brit, “are usually fuzzy little balls in the sky that have no definition. And they are so far away and so much out of focus, they could be just about anything."
“Sure, somebody has taken a little tiny miniature setting, put it together, and filmed it. That’s what that is."
“Actually, Lee used to laugh at my UFO hobby," recalled Stevens.
“事实上，Lee Elders也曾嘲笑过我对「UFO/不明飞行物」的喜好，”「Wendelle Stevens」回忆道。
“When he saw the photographs, his position was, ‘Ah, they’re fakes. Anybody could look at those and tell they’re faces.’ They looked pretty good to me, but I had run across a lot of good pictures that were fakes, so I kind of half agreed. But I thought, man, these are the best fakes I’ve ever seen. How did he do it?"
For the rest of the afternoon and into the evening, Stevens studied the photographs and listened to Zinsstag recount her experiences with Meier.
接下来的下午时间直到晚间，「Wendelle Stevens」都一直在研究这些照片，并听取了Lou Zinsstag讲述她与Meier之间的经历。
She told him about Meier’s living conditions in the Hinwil house, his wife and children, and the many people who came to see him.
She explained her relationship with Meier and how she had acquired the photos.
The man was poor, she said, had only one arm, and seemed sincere.
How many pictures had he taken of the craft?
Stevens wanted to know.
Oh, replied Zinsstag, quite a few more.
As he listened, Stevens perceived that Zinsstag was trying to relay a sense of the man and his experiences without telling the whole story, as though she were protecting Stevens from some sort of sensory overload.
「Wendelle Stevens」边听边注意到Lou Zinsstag（似乎）在试图传达这个男人的意识和他的经历，而不是在叙述整件事，就好像她是在保护「Wendelle Stevens」免于超负荷接受这些事一样。
The pictures spoke for themselves, but it seemed that much of the story, perhaps most of it, remained untold.
This perception intrigued Stevens.
The following morning, Zinsstag and Good left for Los Angeles.
第二天一早，Lou Zinsstag和Timothy Good就离开前往Los Angeles了。
For the next year, Stevens corresponded with Zinsstag until he made contact with Meier himself and began a correspondence with him.
第二年，「Wendelle Stevens」与Lou Zinsstag通信，直到他与Meier本人取得联系，并开始与Meier进行通信。
Slowly, he realized that Meier had had more than a few contacts, that details of these contacts had been recorded, that perhaps many more, even hundreds of photographs existed, and that Meier may not have been the only one to have seen and experienced strange things in the forests surrounding Hinwil and now in the hills outside Schmidruti.
In October 1977, a little over a year after Lou Zinsstag and Timothy Good had come to Tucson, Stevens decided the case was worth an on-site investigation, and he made arrangements to fly to Switzerland to meet Billy Meier.
1977年10月，在Lou Zinsstag和Timothy Good到访Tucson一年多以后，「Wendelle Stevens」认为这个案件是值得展开实地调查的，于是他安排飞往瑞士和Billy Meier见面。
“I’m just going to go over real quick and take a look," he told the Elders.
He hoped to get prints of some of the Meier photographs for his collection, and mainly “to look the man in the eye to see if he’s telling the truth."
The Elders laughed.
“Tell us what happens when you get there," they said.
Stevens flew to London, then took the train to Wiesbaden, Germany, where he delivered a UFO lecture.
The next day, he took another train to Zurich, where he rented a car and began his drive to the Meier farm, as picturesque a drive as one could imagine.
In October the green countryside lay dotted with the bright reds and yellows of turning leaves, and many tree trunks supported burlap sacks filled with fresh-picked apples and pears.
On nearly every hillside roamed light gray dairy cows with the Glocke or the Treichle dangling from their necks, tinkling as they grazed.
Already the farmers had stacked winter wood head high, the split logs forming a face as smooth as a puzzle.
The Meier farm stood not so picturesque.
Meier and his family had been living at the farm now for only six months.
Mud still lay everywhere, and Stevens saw outbuildings standing askew, their roofs sagging.
The main house, which shared a common wall with the barn, had no upstairs, only open rafters, and the roof leaked.
The only bathroom facilities sat behind the house, a lean-to built over a pit.
In the kitchen a pressure pump now brought in cold water from a holding tank, and Meier had wired the kitchen and the main room of the house with electricity for only two bare light bulbs.
Most of the floors were still of dirt.
When Stevens arrived at the farm, he saw two cars with people waiting to see Meier, one from Munich, one from Berlin.
A few young Europeans, hitch-hiking, or on bicycles or motorcycles, had pitched tents on the driest piece of ground they could find and lived there for a few days, working in the field or garden during the day, and talking to Meier in the evenings.
Invited by the Meiers to stay at the farm if he liked, Stevens himself slept in a bedroll in the rafters above what used to be the barn.
He felt that any case worth investigating deserved time, and it appeared that the Meier case deserved more than most.
He wanted to get as close as he could.
A year earlier in Tucson, Zinsstag had told Stevens only that Meier had had more than one contact and that he had taken at least a dozen other photographs than the ones she had brought with her.
一年前，在Tucson，Lou Zinsstag只告诉了「Wendelle Stevens」她与Meier有过多次接触，而且除了她之前带往美国的照片以外，Meier至少还拍摄了十几张更多的照片。
In his first day at the farm, after meeting Meier and talking with a few other people, Stevens confirmed his earlier suspicion that Zinsstag had held back some of what she knew about the case to avoid overwhelming him at the outset.
到达农场的第一天，在与Meier会面并与其他几个人交谈之后，「Wendelle Stevens」证实了他早先的质疑：Lou Zinsstag确实对她所知的案例情况有所保留，以避免从一开始就先入为主地干扰「Wendelle Stevens」对这个案例的判断。
Much to his surprise, Stevens found that Meier not only spoke passable English, but had a colorful way of expressing himself.
When the two men met, Meier even offered him a challenge: he said he hoped the colonel would ask questions not asked by everyone else.
“He had so many different faces coming and going," said Stevens, “and he had answered the same questions so many times for so many different people, he got sick of it.
He didn’t want to talk about it at all to outsiders because he’d explained to somebody else yesterday and somebody else the day before, and another one the day before, and another one the day before, and he didn’t care.
If you didn’t ask the right questions, you didn’t get the answers.
During his four days in Switzerland, Stevens accompanied Meier on several long walks into the forest behind the farm, and when the weather turned bad he sat with Meier in the kitchen for hours poring over photo albums and talking.
When Stevens asked about recent pictures of the beamships, Meier gave him 130 photographic prints, charging him only for the cost of printing.
Through an interpreter, Stevens also interviewed Popi, the children, and half a dozen other witnesses, including Jakobus, Hans Schutzbach, and Herbert’s friend Harold Proch, who was visiting with his sister.
通过翻译，「Wendelle Stevens」还采访了Popi，孩子们和其他六位证人，包括Jakobus，Hans Schutzbach，以及Herbert的朋友Harold Proch，他和他的妹妹当时同样在那里访问。
Each had his or her own stories to tell, and each was so convinced the contacts were taking place that when Stevens asked if they believed them, the common answer was, “I don’t believe. I know."
With the weather socked in, cold and damp, and visibility at the sites poor, the Gasthaus zum Freihof in Schmidruti provided Stevens with a quiet place to get away from the farm and sit in a warm parlour heated by a large wood stove.
伴随天气的恶化，寒冷和潮湿出现在农场，位于Schmidrüti的Gasthaus zum Freihof（福莱霍夫酒店）为「Wendelle Stevens」提供了一个远离农场的安静之所，后者呆在一个附有大型柴炉取暖设备的温暖客房。
One gray morning, he retired to a table by the French windows that overlooked the road spiralling through the village, and began to read the background on the contacts.
Meier’s alleged experiences appeared to be far more complicated than a simple meeting three years earlier.
Stevens thumbed through the voluminous pages of contact notes, beginning with Meier’s account of his first contact with Semjase, a Tuesday afternoon, January 28, 1975, in a field not far from Hinwil.
According to the notes, that January had been unseasonably warm in eastern Switzerland, and the winter had been unusually dry; little snow clung to the lower elevations.
Meier wrote that in the early afternoon he had been at his house in Hinwil when the twinkle of a thought had entered his consciousness, and then words and symbols had formed a message, one he had been expecting but not quite so soon: he was to leave his house and bring with him a device for taking pictures.
Responding to the message, Meier had departed on his moped, taking with him an old Olympus 35mm camera with a broken viewfinder and a focus that jammed just short of infinity.
He used this camera because the film advanced with a simple thumbwheel he found easy to operate with his one hand.
On his motorbike, he had ridden aimlessly through the village, turning when the glimmer of a command directed him to.
After an hour, he found himself far from the village, on a remote road bordering a nature conservancy where he received a final command to stop his motorbike and wait.
After several minutes, a sudden stillness descended upon the meadow, and then a large disk-shaped object shot soundlessly through light clouds, slowed in a wide graceful arc, and crossed the meadow four or five hundred feet from where Meier stood aiming his camera.
But the moment he snapped a picture, the disk had vanished.
When the disk reappeared again, it hovered above a truck parked at the edge of the meadow, only a hundred feet from where Meier stood.
He watched the disk suspended quietly no more than three hundred feet off the ground.
Meier estimated the disk to be about twenty-one feet in diameter, with reddish rectangles, like windows, encircling its upper mound.
Beneath the craft, the hull, exceedingly old in appearance, seemed to undulate “as if little waves ran continuously through the lower side of the ship."
The waves radiated downward, creating an aura around the truck.
Meier took a second picture, and again the spacecraft abruptly broke its hovering pattern, rushed toward the east, and disappeared into the clouds.
Climbing onto his moped, Meier had then headed out across the meadow in the direction he had last seen the disk.
Only moments passed before he felt a stillness suddenly descend upon the meadow.
Then, the disk came streaking through the clouds again, faster than any jet Meier had ever seen.
It dropped speed quickly, banked slowly over the forest, and began its descent toward the clearing.
Meier took two more pictures as the craft, without a sound, dropped lower and lower, and then landed.
In the warm parlour of the Freihof, Stevens put down the notes and sipped his hot tea.
The encounter Meier was about to describe in the notes, he now knew, was only the culmination of a series of phenomena in Meier’s life that Meier claimed had been set in motion thirty-five years ago.
Before he read further, Stevens wanted to question Meier about the earlier experiences.
Back in the kitchen at the farmhouse, Meier did not hesitate to tell Stevens the long story of his involvement with the Pleiadians, a story that began in his childhood.
He said his first sighting of an alien spacecraft occurred one morning when he was only five and a half years old.
“This was in 1942 together with my father," said Meier.
“He was behind the house under a walnut tree, it was summertime. When I saw the ship flying, it didn’t necessarily seem strange to me. It did look strange in our world, but somehow I had the feeling that it was something familiar. It fell down from the sky, to the tower of the church, and then it came to us and left westward. It was very, very fast. Altogether, I watched it fall for maybe one and a half minutes, and then when it left westward, there were seconds only."
The object had reminded Meier of a huge discus, shooting overhead only 600 feet off the ground, completely soundless, and disappearing over the Horagenwald.
He asked his father, “Daddy, what’s happened here?"
But his father only replied, “It’s a secret weapon of Adolf Hitler."
“I was thinking that can’t be true," said Meier, “that’s something else. I don’t know if my father realized what he saw because he didn’t bother with it anymore. I started to watch the sky day and night."
Meier told Stevens that two months had passed before he again saw the silvery flying disk, this time descending slowly toward a field where he was playing alone.
But as the disk neared the grassy surface, suddenly, without a sound, it had vanished.
Within moments of the disk’s vanishing, something “similar to a voice" arose inside Meier’s head.
Accompanied by the drawing of vivid pictures in his mind, the voice thereafter spoke to Meier once a day.
It requested that he answer, and seek answers of his own.
“In the beginning, I didn’t receive entire words or sentences," he explained to Stevens.
“It was more like pictures. As time went by, these pictures became words and sentences. Later, I received messages in symbols. Once, I tried to draw one of these symbols, but I was not able to do it."
Troubled by the voice and the pictures in his head, Meier had told Parson Zimmermann, the Protestant minister in the village, of the great flying disk he had seen and of the voice that had come into his head soon afterward.
Zimmermann had a reputation in the village as somewhat of a mystic, far more liberal in his thinking than the parochial outlook of his parishioners.
“I knew Parson Zimmermann," said Meier.
“He was the family priest, and I used to play with his children. Another reason I probably went to see him was that even as a small child, I heard talk that he occupied himself with mystical matters. I told him about the experience I had together with my father, and then the voices I heard inside of me, the telepathic calls. That’s why I went to him, because I though I was going crazy. I used to go after school; it was not far from the schoolhouse. He told me that he knew about these flying objects; back then, they were not called UFOs; this was nothing new to him. The people who flew in them would come from another world, not from earth. He told me that he understood this, but that he could not talk about it. He was a priest and he would shock the people. He told me to try to learn telepathy, to try to give answers. So I tried as I was told. After a few weeks, it worked, and I was able to answer. I remember very well that Father Zimmermann told me not to talk about it to anyone, otherwise everybody would say I was crazy."
Now, whenever he heard the voice speaking to him, the young Meier would try to direct his thoughts inward, and before long, he felt as if those thoughts made contact with something.
“The first reaction from the other side," he recalled, “was like a gentle and fine laughter, which I heard deep inside of me and felt, pleasant and relaxing. I still hear that laughter, but I can’t define it. It was a very lovely laughter."
Then, the contact faded away once more, and Meier neither heard a voice nor realized pictures.
Suddenly, all was quiet again.
On 3rd February, 1944, Meier’s seventh birthday, a new voice, low and clear, came into his conscious mind “and ordered me to learn and to collect knowledge transmitted to me."
Meier feared that the clarity of this new voice meant he had finally succumbed to insanity.
“I was afraid because as a small boy, I hadn’t any experience with the telepathic way. I again had to go to ask Parson Zimmermann what was happening, and he informed me, and I slowly understood."
The low, clear voice Meier now heard belonged to an entity named Sfath, whose thought transmitted teachings continued frequently through the summer of 1944.
Then, one day in September, as Meier walked alone in a meadow, Sfath suddenly announced himself telepathically and told the boy he should wait there and not be afraid.
“This was some time later and far from our home," said Meier.
“It was three or four miles away behind a very big forest, a lonely place. There, I saw something falling down from the sky, very, very slow and it became bigger and bigger. It was something like a metallic pear. Then, this ramp opened and it came out, going down like an elevator. I entered the ship and we went up very high above the earth. There was a very old man who looked to me like a patriarch. His name was Sfath. He was a human being, like each other one here on earth, only very old. We talked for hours, then he brought me back to the ground. The funny thing was, he knew my mother tongue better than I."
The venerable Sfath told Meier he would remain his spiritual mentor only through the early 1950s, when a much higher form of life would assume the responsibility for further teaching.
Meier had been selected for a mission, but Sfath revealed only that decades would pass before the boy knew its nature.
Until that time, Meier had to be prepared to meet with many things, some that would cause him again to question his sanity, others that might bring physical harm.
– Saalome Promise in 2023 –